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Late-Holocene vegetation change reveals the environment of ancient people and the origin of Huashan cliff paintings in Guangxi, southwestern China

机译:全新世植被变革揭示了古代人民的环境和中国西南部广西的华山悬崖绘画的起源

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摘要

Human activities in the historical period were determined by the natural environment and social characteristics. The Zuojiang Huashan Rock Art Cultural Landscape in Guangxi is the most important World Heritage for prehistorical culture in southwestern China. However, knowledge about the natural environment and associated historic human-climate interactions during the period of cliff painting creation remains scarce, which has been an obstacle to understanding the process of regional civilization. Here, we report a pollen record from the core distributing region of Huashan cliff paintings to interpret the natural environment and climate changes, and further to discuss how and why ancient people create these giant cliff paintings based on the relationships of human-climate interactions. Pollen results imply an existence of a mixed broad-leaf and conifer forest in the woodland landscape at Huashan region before 1860 cal. yr BP, after which pine forests were more prevalent. During the cliff painting period from 2370 to 2115 cal. yr BP, broad-leaf and conifer trees dominated the tree layer and provided the key source materials for painting. It can be reasonably assumed that people used stake or ladder to climb the cliffs and created the cliff paintings during a humid climate condition from 2560 to 2000 cal. yr BP. Furthermore, the humid climate during 2700 and 2400 cal. yr BP had been interrupted by short-term drought episodes. These turbulent climate episodes probably played the role of disasters and impacted on the human activities, leading to the social-political tensions and the out-break of war. During the Qin and Han Dynasties, social-political changes relieved the pressure from natural climate changes and led to a more stable society, in which the creating of cliff paintings was gradually fading. Our results manifest the necessity to analyze the natural environment and social-political background in combination in this study on ancient human activities.
机译:历史时期的人类活动由自然环境和社会特征决定。广西左江华山岩石艺术景观是中国西南部史前文化最重要的世界遗产。然而,关于悬崖绘画创造期间的自然环境和相关历史人民气候互动的知识仍然是稀缺的,这是理解区域文明过程的障碍。在这里,我们报告了华山悬崖绘画核心分布地区的花粉记录,以解释自然环境和气候变化,并进一步讨论古代人类如何以及为什么基于人气气候互动的关系创造这些巨大的悬崖绘画。花粉结果暗示在1860年之前在华山地区的林地景观中存在混合阔叶和针叶树林。 YR BP,之后松树林更普遍。在悬崖绘画期间,从2370到2115 Cal。 YR BP,阔叶和针叶树丛中占据了树木层,并为绘画提供了关键源材料。可以合理地假设人们使用桩或梯爬上悬崖,并在潮湿的气候条件下从2560〜2000克拉的悬崖绘画产生。 yr bp。此外,2700和2400克拉期间的潮湿气候。 YR BP已被短期干旱发作中断。这些湍流气候剧集可能发挥了灾害的作用,并影响人类活动,导致社会政治紧张局势和战争的出局。在秦和汉朝期间,社会政治变化缓解了自然气候变化的压力,并导致了一个更稳定的社会,其中悬崖绘画的创造逐渐消退。我们的结果表明,在这项研究古代人类活动中,将自然环境和社会政治背景分析的必要性。

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