...
首页> 外文期刊>History of Photography >The Ties that Bind Hans Bellmer's Tenir au Frais to Heinrich Von Kleist
【24h】

The Ties that Bind Hans Bellmer's Tenir au Frais to Heinrich Von Kleist

机译:汉斯·贝默(Hans Bellmer)的电影《特尼尔·弗莱》(Teir au Frais)与海因里希·冯·克莱斯特(Heinrich Von Kleist)的纽带

获取原文
获取原文并翻译 | 示例
           

摘要

This article examines Hans Bellmer's photographic collage of 1958 Tenir au frais (Keep Cool), a work produced as part of his exploration of the theme of the female body bound with string. The paper argues that an interpretation of this image in the context of French Surrealism must take into account the fact that it appeared on the cover of le surréalisme, même, a journal that was filled with praise for the German Romantic writer Heinrich von Kleist. Tenir au frais has been interpreted variously, but little attention has been paid to its material context as the cover of the Surrealist journal. The Surrealists were political and cultural radicals, and their aim was a profound transformation of the world, a world that had generated atrocities beyond imagination in two World Wars. Shock was an important element in the work of the Surrealists, who often used images of sexual violence to challenge the status quo. The roots of this preoccupation lay in the writings of the literary heroes of the movement. This article argues that material context is crucial when considering possible meanings and that the image is tied to the Surrealist preoccupation with the German Romantic writer Heinrich von Kleist. Kleist's Penthesilea was particularly cherished by the group. They were interested in his portrayal of sexual frenzy, in how love and violence are fused in the play and in the psychological realism and tension in this ecstatic work. Bellmer's photographic collage provides an allusive illustration to the text on Kleist and connects with his drama on a number of levels, for it conveys extraordinary emotional distress but also the physical turmoil of the play in which the theme of binding is evident throughout.View full textDownload full textKeywordsHans Bellmer (1902-75), Heinrich von Kleist (1777-1811), Penthesilea (1808), German romanticism, Surrealism, le surréalisme, même (1924-29)Related var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/03087298.2012.703371
机译:本文考察了汉斯·贝默(Hans Bellmer)在1958年拍摄的Tenir au frais(Keep Cool)的摄影拼贴,这是他探索女性用绳子捆扎主题的一部分而创作的作品。该论文认为,在法国超现实主义的背景下对这一图像的解释必须考虑到它出现在lesurréalisme,mÃme的封面上的事实,该杂志对德国浪漫主义作家海因里希·冯·克莱斯特充满赞誉。 Tenir au frais的解释多种多样,但作为超现实主义杂志的封面,对其内容的关注却很少。超现实主义者是政治和文化激进分子,他们的目标是世界的深刻变革,这个世界在两次世界大战中都产生了超出想象的暴行。震惊是超现实主义者作品中的一个重要因素,超现实主义者经常使用性暴力的形象来挑战现状。这种专注的根源在于该运动的文学英雄们的著作。本文认为,在考虑可能的含义时,物质环境至关重要,并且图像与超现实主义者对德国浪漫主义作家海因里希·冯·克莱斯特的关注有关。乐队特别珍惜克莱斯特(Kleist)的Penthesilea。他们对他对性狂热的刻画,对戏剧中的爱与暴力的融合以及对这部狂喜作品的心理现实主义和紧张感很感兴趣。贝尔默的摄影拼贴画为克莱斯特(Kleist)上的文字提供了奇妙的插图,并在多个层面上与他的戏剧联系在一起,因为它传达了非同寻常的情感困扰,但同时也表现出戏剧性的身体动荡,其中结合的主题始终显而易见。查看全文下载关键字关键字汉斯·贝默(Hans Bellmer)(1902-75),海因里希·冯·克莱斯特(Heinrich von Kleist)(1777-1811),彭特西利亚(1808),德国浪漫主义,超现实主义,勒·苏拉利斯梅,妈妈(1924-29)在线”,services_compact:“ citeulike,netvibes,twitter,technorati,可口,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/03087298.2012.703371

著录项

相似文献

  • 外文文献
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号