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Authorship and Propaganda: Phyllis Bottome and the Making of The Mortal Storm (1940)

机译:作者和宣传:菲利斯·波底(Phyllis Bottome)和《致命风暴》的制作(1940)

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The Mortal Storm (1940) was MGM’s powerful contribution to the anti-nazi ‘genre’ film. Adapted from a novel by the British writer Phyllis Bottome, the studio took some risks in producing a picture in which Germany was mentioned by name and in which the controversial political questions aroused by Nazi persecution of liberals, intellectuals and Jews were clearly represented. Bottome herself was an experienced propagandist, having been trained by John Buchan during World War One, and, during the Second World War, she was briefed by the Ministry of Information for propagandist purposes. Bottome was passionately engaged firstly with pushing the Hollywood studios to film her novel and then, once MGM bought the film rights, she tried hard to prevent the message of her book from being watered down by the studio. Simultaneously, she undertook an exhausting lecture tour though America in which she engaged her audiences with warnings about the Nazi regime’s behaviour in Germany. Bottome had lived for many years in Austria and then in Munich so, arguably more than any other woman writer of the period, she had seen first hand the reality of fascism. Her novel, The Mortal Storm (1937) had been a best-seller both had been in the UK and the USA, and the sell-out lecture tour guaranteed good audiences for the film. Although rarely taught on university film courses, where Chaplin’s The Great Dictator is more usually the token anti-nazi film discussed, The Mortal Storm challenged America’s isolationist position and was regarded with alarm by the German ambassador in Washington as an effective and dangerous piece of propaganda.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/01439685.2012.648053
机译:《真人风暴》(Mortal Storm,1940年)是米高梅公司对反纳粹电影的有力贡献。该工作室改编自英国作家菲利斯·巴托姆(Phyllis Bottome)的小说,在制作一张照片时冒了一些风险,在这张照片中,德国被提及,纳粹对自由主义者,知识分子和犹太人的迫害引发了有争议的政治问题。 Bottome自己是一位经验丰富的宣传员,在第一次世界大战期间接受了约翰·布坎(John Buchan)的培训,在第二次世界大战期间,新闻部向她作了宣传,目的是宣传。 Bottome首先热衷于推动好莱坞电影制片厂拍摄她的小说,然后,一旦MGM购买了电影版权,她就竭尽全力防止制片厂淡化她的书本信息。同时,她在美国进行了一次筋疲力尽的演讲之旅,在这次演讲中,她的听众对纳粹政权在德国的行为提出了警告。 Bottome在奥地利生活了很多年,然后在慕尼黑生活了很多年,因此比起那个时期的其他任何女性作家,她都亲眼目睹了法西斯主义的现实。她的小说《致命风暴》(The Mortal Storm,1937年)曾在英国和美国畅销,并且巡回演出的巡回演出确保了影片的良好观众。尽管很少在大学电影课程中讲授这本书,但卓别林的《大独裁者》更像是讨论的象征性的纳粹电影,但《真人风暴》却挑战了美国的孤立主义立场,并被德国驻华盛顿大使震惊地认为是有效和危险的宣传。 ,pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/01439685.2012.648053

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