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Sub-£1000 outboard DACs

机译:1000韩元以下的DAC

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摘要

Back in the late 1980s and early 1990s, the hi-fi industry was awash with external DACs. And for good reason: CD player quality was, if we are being honest, variable. Some players were very good, some were dreadful and most were somewhere in between. Adding a separate digital converter helped improve the lot of most players of the time. Then suddenly, how the CD transport was synchronized to the digital converter became all-important; some DAC manufacturers began to include secondary clock connectors and others began to reclock the signal as it reached the DAC box. But this - coupled to improved digital conversion systems that happily worked inside a one-box player - began to make the DAC's place in the hi-fi chain look tenuous. One by one, manufacturers quietly dropped their digital converters. The external DAC never quite went away, though. Some of the earliest DAC brands (eg, Arcam) backed out of the external processor market, while others, including PS Audio and Musical Fidelity in this test, stayed true to the cause. And now, although the market for external DACs is still relatively small and specialised, the concept is once more growing in popularity.
机译:早在1980年代末和1990年代初,高保真音响行业就被外部DAC充斥。有充分的理由:如果说实话,CD播放器的质量是可变的。有些球员非常出色,有些球员令人恐惧,大多数球员介于两者之间。添加一个单独的数字转换器有助于改善大多数情况下的播放器。然后突然之间,如何将CD传输同步到数字转换器变得至关重要。一些DAC制造商开始包括辅助时钟连接器,而另一些制造商则开始在到达DAC盒时重新计时。但这与在单机播放器中愉快地工作的改进的数字转换系统相结合,开始使DAC在高保真音响链中的地位显得微不足道。制造商一一悄悄地放弃了他们的数字转换器。不过,外部DAC从未消失过。一些最早的DAC品牌(例如Arcam)退出了外部处理器市场,而其他一些品牌(包括PS Audio和Musical Fidelity)在测试中保持了原样。如今,尽管外部DAC的市场仍然相对较小且专门化,但这一概念越来越受欢迎。

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