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The Years Of Audio Plenty And The Great Digital Divide

机译:音频丰富的年代和巨大的数字鸿沟

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摘要

If the 1970s represented a peak in hi-fi activity, a 'golden age' to match the 1950s' surfeit of classics, does 1980-84 represent its descent into hell? It certainly does if you despise CD and all things digital. And clearly, many audiophiles do, to this day. Of course, the 1980s didn't start out that way. In purely analogue, two-channel terms, they were years of (audio) plenty, and music lovers were spoiled with bargains at one end of the market and components with seemingly no price constraints at the other. In between, in the vast middle sector, the Great Turntable Wars continued to rage in the audio community, while Asian imports gobbled up everything else with the Brits so preoccupied with politics. Products associated with the Great Turntable Wars and Flat Earthism purported to be high-end in UK terms, while globally they were anything but. As an analogy, one could posit that they were to true high-end gear what MGs were to Ferraris.
机译:如果1970年代代表了高保真音乐活动的高峰,这是一个与1950年代大量经典作品相匹配的“黄金时代”,那么1980-84年代表着它陷入了地狱吗?如果您鄙视CD和所有数字内容,肯定会这样做。显然,到目前为止,很多发烧友都在这样做。当然,1980年代并不是那样开始的。用纯模拟的两通道术语来说,它们是(音频)丰富的年头,音乐爱好者在市场的一端被讨价还价和在另一端似乎不受价格限制的商品所宠坏。在这两者之间,在广大的中间部门中,音频界的大转盘战争继续盛行,而亚洲进口商品则使英国人对政治充满了关注。在英国,与“大转盘战争”和“平面地球主义”相关的产品据称是高端产品,而在全球范围内则并非如此。打个比方,我们可以假定,它们是真正的高端装备,就像法拉利的MG一样。

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