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摘要

Who needs the excuse of 24/96 to celebrate Jarrett's finest hour and seven minutes, his landmark extended improvisation first releasec in 1975? Freed from vinyl and Red Book limitations, Keef's magnificent moan-laden finger power passes palpable pressure waves through the hall, coming through clean and click-free so you can hear it all - his foot stomps, his pedal flicks, his off-mike moans and singalongs. And the piano, of course, lacking bass resonance and pinched in the mids not because of miking or EQ problems, but because this was a rehearsal baby grand accidentally supplied instead of Jarrett's requested concert grand. Jack White contends that substandard and unusual instruments help you achieve unique results; perhaps that informs Jarrett's creative trance of a performance here, the recognition it has since received, and the pleasure it still brings.