Our planet's one billion buildings contain trillions of wood pieces that are a scrambled, fragmented archive of forests. What if one could make this archive a coherent database, a raw source for new forms? Here we could take inspiration from the Japanese ceramic technique of kintsugi. by which a shattered vessel's fragments are reassembled in a joinery matrix of gold, producing a result far more precious than its progenitor. My office, Certain Measures, developed such a process for our project Mine the Scrap (2016), an experiment in forensic forestry.
展开▼
机译：我们星球上的十亿座建筑物包含数万亿个木头碎片，这些木头碎片是零乱的，零散的森林档案。如果可以使该存档成为一个统一的数据库，新表格的原始来源怎么办？在这里，我们可以从日本的近铁陶瓷技术中汲取灵感。通过这种方法，将破碎的船只的碎片重新组装成金木工矩阵，产生的结果比其祖先更为珍贵。我的办公室“某些措施”为我们的法医林业实验“我的废料”（Mine the Scrap）（2016）开发了这样一个过程。
展开▼
