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首页> 外文期刊>Harvard design magazine >Forever a Youth Culture? Skateboarding, Design, and the Built Environment
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Forever a Youth Culture? Skateboarding, Design, and the Built Environment

机译:永远是青年文化?滑板,设计和建筑环境

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摘要

These were dangerous contraptions, not least because the metal wheels would grind to a halt on the smallest pebble. There were no skateboarders yet, just creative and adventurous kids. With the advent of soft yet durable polyurethane wheels in the 1970s, however, children, teenagers, and young adults were able to roam more freely, and a world of possibilities slowly began to open up in the everyday spaces of the Southern Californian cities where skateboarding was born. Now devoted to the activity, these young people began to develop a whole new way of seeing. Perhaps a backyard pool would be even more fun if we drained it and skated the transitioned walls? The earliest explorations were modeled on established individual sports: slalom and downhill skateboarding mimic alpine skiing, freestyle skateboarding mimics figure skating, bank and pool skateboarding mimics surfing. Yet even as these skateboarders were imitating other sports, they were also developing a new criterion for evaluating the built environment. They even had a new word to describe it: "skateability." As is often the case, new ways of seeing foster new ways of designing. No longer content with merely repurposing existing architecture, these young adults became vernacular architects in their own right. By the late 1970s, the backyards of Southern California had spawned a new typology, the half-pipe. The first of these were rickety jumbles of plywood and framing lumber. Before long, though, small construction firms began selling plans for more durable structures, and small manufacturers, like Firestone Welding in San Diego, began selling modular prefab half-pipes made from Plexiglas panels over square-tube steel framing. These started to appear in small numbers around the country. During this same era, skaters with some sense of how to navigate municipal government were surprisingly successful in lobbying for concrete parks. All over Southern California, and to a lesser extent on the southeast coast of the United States, cities approved the construction of parks that simulated backyard pools, schoolyard banks, and large drainage ditches.
机译:这些都是危险的装置,尤其是因为金属轮会在最小的鹅卵石上磨碎而停止运转。还没有滑板手,只有富有创造力和冒险精神的孩子。但是,随着1970年代柔软而耐用的聚氨酯轮的问世,儿童,青少年和年轻人得以更加自由地漫游,并且在南加州城市的日常空间中,滑板的可能性开始慢慢打开。出生于。现在,他们致力于这项活动,这些年轻人开始发展一种全新的观看方式。如果我们将其排干并滑过过渡的墙壁,也许后院游泳池会更加有趣?最早的探索活动是根据既定的个人运动进行建模的:激流回旋和速降滑板模仿高山滑雪,自由式滑板模仿花样滑冰,银行和泳池滑板模仿冲浪。然而,即使这些滑板手在模仿其他运动,他们也正在开发评估建筑环境的新标准。他们甚至用一个新词来形容它:“可滑性”。通常情况下,新的观看方式促进了新的设计方式。这些年轻人不再满足于仅仅重新利用现有建筑,而是凭自己的能力成为了当地的建筑师。到1970年代后期,南加州的后院催生了一种新的类型,即半烟斗。首先是胶合板和框架木材的摇摇欲坠。不过,不久之后,小型建筑公司开始出售更耐用的结构的计划,而小型制造商(例如圣地亚哥的凡士通焊接公司)也开始销售由有机玻璃面板制成的模块化预制半管,并通过方管钢框架进行销售。这些开始在全国范围内少量出现。在同一时期,对如何驾驭市政府有一定了解的滑冰者在游说混凝土公园方面取得了令人惊讶的成功。在整个南加州,以及在美国东南沿海的较小范围内,城市批准建造模拟后院游泳池,校园围堰和大型排水沟的公园。

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