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'Ballet it's too whitey': discursive hierarchies of high school dance spaces and the constitution of embodied feminine subjectivities

机译:``芭蕾太白了'':高中舞蹈空间的话语层次结构和体现的女性主体性的构成

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This article investigates (i) how the structuring practices and meanings associated with dance classes at an inner-city American high school operated as institutional spaces (re)producing 'dividing practices' that supported racial and classed hierarchies; (ii) how these racist structures were created and maintained relative to dominant notions of embodiment, 'race', social class, femininity, and dance; and (iii) the way these dominant practices and hierarchies were managed by two 'black' young women at the high school in order to construct particular modes of self-governance. The analysis suggests that educators be attuned to the role that spaces play in creating particular types of 'docile' bodies and the strategies enacted by young people to create alternative embodied practices and subjectivities.
机译:本文研究(i)在美国内城一所高中,与舞蹈课相关的结构练习和意义如何作为制度空间(重新)产生支持种族和阶级等级制度的“划分练习”; (ii)这些种族主义结构是如何相对于体现性,“种族”,社会阶层,女性气质和舞蹈等主要观念而产生和维持的; (iii)高中的两名“黑人”年轻女性如何管理这些主导做法和等级制度,以构建特定的自治模式。分析表明,教育者应注意空间在创造特定类型的“服从”身体中所扮演的角色,以及年轻人制定的创造替代性实践和主观性的策略。

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