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Who says artists can't be entrepreneurial? The Design Trust is helping artists and makers think like designers - identifying and then finding their ideal audience. Veronica Simpson reports on the journey of one cartographically inspired ceramicist

机译:谁说艺术家不能创业?设计基金会(Design Trust)帮助艺术家和制作人像设计师一样思考-确定并找到理想的观众。维罗妮卡·辛普森(Veronica Simpson)报告了一位受制图灵感的陶艺家的旅程

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The little globe co is the product of two years' painstaking development and refinement for ceramic artist Loraine Rutt. Built around a range of six miniature globes, inspired by the original 18th-century 'Gentleman's Novelties', it renders in exquisite porcelain relief and delicate paintwork the wonders of our planet or its lunar companion. To hold one is to feel afresh the fragility of our planet, and how precarious, troubled and yet magical is our existence on its surface. Rutt trained as a cartographer and worked at Birkbeck but quit mapping when digital tools started removing the input of eye and hand. She switched to ceramics, studying at Central Saint Martins under some of the UK's finest ceramic artists, including Richard Slee, Gillian Lowndes, Ruth Dupre and Rob Kesseler. After graduating, she won a Churchill Memorial Trust Travelling Fellowship, and journeyed across Spain, the USA and Mexico, investigating architectural ceramic styles and finding inspiration for a whole new body of work - which sold out at the resulting show. But although she has been making cartographically inspired work for more than 25 years, it is hard as an artist to keep the momentum going, and making has occasionally taken a back seat to teaching and inspired (but time consuming) house renovations.
机译:这家小小的地球仪公司是陶艺家劳伦·鲁特(Loraine Rutt)经过两年艰苦发展和完善的产物。围绕六个微型地球仪而建,其灵感来自原始的18世纪“绅士的新奇事物”,以精美的瓷雕浮雕和精美的油漆呈现出我们星球或其月球同伴的奇观。拥有一个就是重新感觉到我们星球的脆弱性,而我们在其表面上的生存是多么的d可危,困扰而又充满魔力。 Rutt受过制图师的培训,曾在伯贝克(Birkbeck)工作,但是当数字工具开始消除眼睛和手部的输入时,他退出了制图。她转而从事陶瓷研究,就读于中央圣马丁学院,在英国一些最好的陶瓷艺术家的指导下学习,包括理查德·斯利,吉莲·朗兹,露丝·杜普雷和罗伯·凯斯勒。毕业后,她获得了丘吉尔纪念信托旅行奖学金,并穿越了西班牙,美国和墨西哥,研究了陶瓷的建筑风格,并为全新的作品寻找灵感-在随后的展览中售罄。但是,尽管她从事制图灵感的作品已有25年以上,但作为一名艺术家,要保持这种势头一直很难,而且制作偶尔会在教学和启发性(但费时)的房屋翻新中退居二线。

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    《FX》 |2016年第6期|59-60|共2页
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  • 入库时间 2022-08-18 00:43:18
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