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GALLERY EDITOR'S NOTE

机译:画廊编者注

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In the Gallery essay for this issue of Environmental History, Yolonda Youngs takes us on a scenic tour of the Grand Canyon's south rim. Yet rather than interpret photographs of this iconic American landscape, Youngs instead analyzes a series of postcards that were manufactured between 1905 and 1938 to promote tourism at the canyon. In doing so, she traces an important evolution in the cultural meaning of this tourist destination. What began at the turn of the century as a campaign to publicize, through three different types of postcards, the cultural amenities, recreational opportunities, and scenic wonders of the Grand Canyon, evolved by 1938 into a more integrated publicity effort that blended, within each individual postcard, these three sets of attractions.
机译:在本期《环境历史》的画廊文章中,Yolonda Youngs带我们进行了大峡谷南缘的风景游览。然而,扬斯没有解释这个标志性的美国风景的照片,而是分析了一系列明信片,这些明信片是在1905年至1938年之间制造的,以促进峡谷的旅游业。通过这样做,她追溯了这个旅游胜地的文化意义的重要演变。世纪之交始于通过三种不同类型的明信片来宣传大峡谷的文化设施,娱乐机会和风景奇观的运动,该运动在1938年演变成一种更加综合的宣传活动,在每种活动中相互融合个人明信片,这三套景点。

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