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Gallery Editors' Note

机译:画廊编者注

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Marching construction tools, invading tenement buildings, projectile bricks, and the smog of war are the ingredients of Michael Rawson's fascinating Gallery essay in this issue of Environmental History. Rawson undertakes a wonderfully detailed reading of an equally detailed nineteenth-century etching by English illustrator George Cruikshank. Titled "London Going out of Town, or the March of Bricks and Mortar," the 1829 sketch depicts a literal battle between the city on the Thames and its rural hinterland as a metaphor for urban sprawl. While Rawson illustrates the various ways the image reflects nineteenth-century anxieties regarding the inexorable growth of London, he also convincingly argues that the colorful image is relevant today because it raises timeless concerns about the environmental side effects of urban growth and humankind's continuing inability to control it.
机译:行进的建筑工具,入侵的物业单位建筑物,射弹的砖块和战争的烟雾是迈克尔·罗森(Michael Rawson)在本期《环境历史》中引人入胜的画廊论文的要素。 Rawson对英国插画家George Cruikshank进行的同样详尽的19世纪蚀刻作品进行了精彩的详细阅读。 1829年的素描画的标题为“伦敦出城,或砖和砂浆的游行”,描绘了泰晤士河畔的城市与农村腹地之间的一场真实的战斗,以此作为城市蔓延的隐喻。 Rawson举例说明图像反映了19世纪对伦敦不可阻挡的增长的焦虑,但他也令人信服地指出,彩色图像在今天是有意义的,因为它引起了人们对城市增长的环境副作用和人类持续无力控制的永恒关注。它。

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