Exchanging architecture and urban planning practices during the Cold War: between political ideology, architectural ambition, and economic opportunity

摘要

In 1985 the German architecture critic and historian Udo Kultermann composed one of the first surveys of architecture in postwar Eastern Europe. The second chapter of that groundbreaking collection deals in particular with architecture production in Poland in the 20th century. In the short introduction to that chapter, which discusses some of the avant-garde realizations, Kultermann cites Polish designers' involvement in the conferences of the Congres International d'Architecture Moderne, an association of architects and planners that was founded in 1928 and which assembled the world's most prominent architects of that time to discuss and spread the principles of the Modern Movement. Furthermore, Kultermann mentions Polish architects' employment at the office of the 'grand master' of modernism, Le Corbusier, and their appointment at American universities. The author thus conceptualizes the Polish architectural production of the interwar period as an offspring of the 'International Style'. However, Kultermann also highlights the contributions of Polish designers to international competitions and commissions after the Second World War, organized not only in Dublin, Paris, and Madrid, but also in more 'exotic' places such as Iraq, the Congo, and Syria. The author even catalogs these projects in a subchapter entitled "Polnische Architekten im Ausland" (1985, pages 119-120), emphasizing that Poland became an active player on the international architecture and urban planning scene after 1945. Although it is remarkable that Kultermann includes these projects in a discussion of Polish architecture as early as 1985, he does not elaborate on any of these realizations in countries beyond Europe, let alone their raison d'etre.