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Getting Ready to Stay Dead: Rites of Passage in William Faulkner's Novels

机译:准备活下去:威廉·福克纳小说中的过道仪式

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This article uses concepts from anthropology to explore the representation of rites of passage as crucial episodes in William Faulkner's As I Lay Dying (1930), The Sound and the Fury (1929), and Light in August (1932). Rites of passage, as conceptualized by anthropologists, are transformative and integrative social forces. Death rites, in particular, function as cultural systems of signification that operate both within and beyond restrictions of temporality and historicity. These complex cultural dynamics inform the death episodes discussed in this article: Addie Bundren's nine-day funeral journey, Quentin Compson's last day and suicide and the ritual murder of Joe Christmas. The article argues that Faulkner dramatizes liminal mortuary rites in these major works not only as expressions of cultural tradition and social hierarchical structures, but also, and perhaps more importantly, as a system of signification that reveals societal injustice while also invoking a mythical realm that transcends cultural ideologies.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/0013838X.2012.668313
机译:本文使用人类学的概念来探讨威廉·福克纳(William Faulkner)的《我躺着的日子》(1930年),《喧and与骚动》(1929年)和《光在八月》(1932年)中作为重要事件的通过仪式的表现形式。人类学家认为,通过仪式是变革性的和融合的社会力量。死亡仪式尤其是作为象征性的文化系统,在时间性和历史性的限制之内和之外运作。这些复杂的文化动力为本文讨论的死亡事件提供了信息:艾迪·邦德伦(Addie Bundren)的九天葬礼之旅,昆汀·康普森(Quentin Compson)的最后一天以及自杀和乔·圣诞节的仪式谋杀。文章认为,福克纳在这些主要作品中将门廊式mort葬仪式进行了戏剧化处理,不仅作为文化传统和社会等级结构的表现形式,而且还可能更重要的是,作为一种揭示社会不公并同时唤起超越神话境界的象征体系。文化的意识形态。 ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/0013838X.2012.668313

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  • 来源
    《English Studies》 |2012年第4期|p.469-487|共19页
  • 作者

    Irene Visser*;

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  • 入库时间 2022-08-18 00:54:53

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