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Oscar Niemeyer

机译:奥斯卡·尼迈耶(Oscar Niemeyer)

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When Oscar Niemeyer was a tiny child, he would draw in the air with his fingers. As soon as he could hold a pencil his mother gave him one, and he drew the same thing: floating, weightless shapes, forming and reforming. When, as a teenager, he discovered the brothels of Rio, his lines began to follow the curves of women, hip, breast and thigh. Influencing him too, through every pore, were the elliptical white beaches of Brazil, its sinuous rivers, the rounded towers of its baroque churches, its heaped-up mountains and the curling waves of the ocean. Le Corbu-sier, the Swiss-born architect whose modernist ideas he absorbed and then subverted, told him he had Brazil's mountains in his eyes. Not quite true, said Mr Niemeyer; he had everything he loved in them.
机译:奥斯卡·尼迈耶(Oscar Niemeyer)小时候,他会用手指在空中画画。他一拿着铅笔,母亲就给了他一支铅笔,他画了同样的东西:漂浮的,失重的形状,成形和变形。当他十几岁的时候发现里约的妓院时,他的线条开始跟随女性,臀部,乳房和大腿的曲线。遍布巴西的椭圆形白色沙滩,蜿蜒的河流,巴洛克式教堂的圆形塔楼,堆积如山的山脉和波涛汹涌的大海,也影响着他。勒·柯布西耶(Le Corbu-sier)是瑞士出生的建筑师,他吸收并颠覆了现代主义思想,他告诉他,他眼中有巴西的群山。尼迈耶先生说,这不太正确。他拥有他所爱的一切。

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    《The economist》 |2013年第8816期|146-146|共1页
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  • 入库时间 2022-08-17 23:29:04

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