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Man on a mission

机译:男人在使命

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THE THEME may have been written well over half a century ago, but in less than three minutes you hear everything that came to matter most to him in a lifetime of composing. There is the two-note howl at the Moon-once heard, never forgotten. Musically, it is that rare fusion of heart and mind and as recognisable, in its way, as the opening notes of Beethoven's 5th Symphony. Then there are the classic musical motifs, like those Richard Wagner scattered through the "Ring" cycle, that mark out the good man, the bad and the ugly. And then there is the freewheeling range of sounds with which he chose to make that music: the whistling, the yodelling, the gunfire and the squeaky ocarina, an ancient Italian wind instrument that looks like a sweet potato and is better known to a younger generation as the soundtrack of a Nintendo video game.
机译:这个主题可能已经写得超过半个世纪前,但在不到三分钟的时间里,您可以在一生的作曲中听到他对他最重要的一切。在月亮听到了两个音符嚎叫,从未忘记过。音乐般的,正是心灵和思想的罕见融合,并以其识别的方式,作为贝多芬的第五个交响乐的开放票据。然后有经典的音乐主题,就像那些Richard Wagner散落在“戒指”周期上,标志着好人,坏人和丑陋。然后有续流范围的声音,他选择了这么音乐:吹口哨,屋檐,枪声和吱吱作响的oc,这是一个看起来像一个甘薯的古老意大利风乐器,更好地了解了年轻一代作为Nintendo视频游戏的原声带。

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    《The economist》 |2020年第9203期|74-74|共1页
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  • 入库时间 2022-08-18 22:14:12

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