首页> 外文期刊>Domus >PIERO PORTALUPPI AND TOMASO BUZZI AS A REPRESENTATION OF THE UPPER MIDDLE CLASS, VILLA NECCHI CAMPIGLIO IN MILAN IS A RECORD OF REGRETS AND INVOLUTIONS IN THE PATH FROM ARISTOCRATIC TRADITION TO ENTREPRENEURIAL MODERNITY
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PIERO PORTALUPPI AND TOMASO BUZZI AS A REPRESENTATION OF THE UPPER MIDDLE CLASS, VILLA NECCHI CAMPIGLIO IN MILAN IS A RECORD OF REGRETS AND INVOLUTIONS IN THE PATH FROM ARISTOCRATIC TRADITION TO ENTREPRENEURIAL MODERNITY

机译:PIERO PORTALUPPI和TOMASO BUZZI是上层中产阶级的代表,米兰的VILLA NECCHI CAMPIGLIO是从传统到人类现代的道路上的历史和历史记录

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摘要

One evening in the early 1930s, while driving back to Pavia after a performance at Milan's Scala opera house, Gigina Necchi and Angelo Cam-piglio got lost in the infamous local fog. They stopped in front of a garden full of tall trees, and on its gate was a "For Sale" sign. So began the vicissitudes of an urban villa and its unusual family of Lombard entrepreneurs comprising a husband and wife and her sister Nedda, heirs of the renowned sewing machine corporation. Their habits did not exactly adhere to the accepted models of tradition, but to an extrovert dimension of hospitality, to a discretion expressed in the urban image of the villa on Via Mozart, and to the most courageously modern tastes not far removed from the industrial source of their fortunes.
机译:1930年代初的一个晚上,在米兰的斯卡拉歌剧院演出后开车返回帕维亚时,吉吉娜·内基和安吉洛·坎皮格里奥迷失在臭名昭著的当地大雾中。他们在满是高大树木的花园前停了下来,在其大门口有一个“待售”标志。于是,一座城市别墅的变迁开始了,它的不寻常伦巴第企业家家族由一对丈夫和她的妹妹内达(Nedda)组成,后者是著名缝纫机公司的继承人。他们的习惯并没有完全遵循公认的传统模式,而是热情好客的外向性,在莫扎特大街(Via Mozart)上别墅的城市形象表达的自由裁量权以及最勇敢的现代品味与工业来源相距甚远他们的命运。

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  • 来源
    《Domus》 |2010年第940期|p.141720222426|共6页
  • 作者

    Luigi Spinelli;

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  • 入库时间 2022-08-18 01:03:54
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