首页> 外文期刊>Domus >IS THERE STILL A FUTURE FOR SCULPTURE AND MONUMENTS? GORBACHEV: I HAVE NEVER PRAISED THE DESTRUCTION OF THE MONUMENTS... THE PAST CAN NEVER BE ERASED FROM THE MEMORY OF THOSE WHO HAVE EXPERIENCED OR BEEN SUBMITTED TO IT
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IS THERE STILL A FUTURE FOR SCULPTURE AND MONUMENTS? GORBACHEV: I HAVE NEVER PRAISED THE DESTRUCTION OF THE MONUMENTS... THE PAST CAN NEVER BE ERASED FROM THE MEMORY OF THOSE WHO HAVE EXPERIENCED OR BEEN SUBMITTED TO IT

机译:雕塑和雕塑还有未来吗?戈尔巴乔夫:我从没想过要破坏这些东西……过去,从未经历或接受过这种记忆的记忆

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摘要

A huge incense stick burns in a former sawmill between a dangling effigy of Mao and a supine statue of Lenin, 20th-century icons spilling over into the present. It is a monument by Daniel Knorr who, along with another 33 contemporary artists and an ample selection of dead bodies, opened the 14th International Sculpture Biennale in Carrara on 26 June entitled "Post Monument". The Carrara Biennale finally returned to the international biennial fold in 1996, 23 years after its 1973 event.
机译:巨大的香炉在一个前锯木厂中燃烧,介于悬挂的毛泽东像和一个仰卧的列宁雕像之间,二十世纪的标志遍布到现在。这是丹尼尔·克诺尔(Daniel Knorr)的纪念碑,他与另外33位当代艺术家和大量尸体一起于6月26日在卡拉拉开幕了第14届国际雕塑双年展,题为“邮政纪念碑”。卡拉拉双年展终于在1973年举办活动的23年之后,于1996年重返国际双年展。

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  • 来源
    《Domus》 |2010年第939期|p.929499|共3页
  • 作者

    Martina Angelotti;

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