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THE 'FICKLE GODDESS' AND FASCIST MODERNISM NOVELTY IN A STYLE THAT MOVES BETWEEN AUTARCHY,FASHION, SYNTHETIC FABRICS, PROPAGANDA AND NEW FORMS

机译:独裁,时尚,合成面料,宣传和新形式之间融合的“时髦女神”和法西斯主义现代主义风格

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摘要

Dea volubile ("The Fickle Goddess"), a brief documentary film by the Istituto Luce, presented fashion as a flighty muse. The sudden firing of a shell heralded the new century with the energy of war, new dances and a "revolutionary" art. "Foreign words and barbarian rhythms," warns the narrator's voice as images flash from the feet of a couple dancing the Charleston, to a black musician and a list of words to avoid: bar, tea room, dancing. Meanwhile, the voiceover concludes disconsolately, "Fashion continues to watch Paris". These were the years of Fascism, when totalitarian ambitions espoused the desire to "make history", as well as a relish for creating and renewing the nation.
机译:伊斯图托·卢斯(Istituto Luce)制作的一部简短的纪录片《不安定的女神》(The Fickle Goddess)将时尚视为飞扬的缪斯女神。炮弹的突然发射预示着战争的力量,新的舞蹈和“革命性”艺术的进入新世纪。当图像从一对跳着查尔斯顿的夫妇的脚下闪现给黑人音乐家时,叙述者的声音发出警告:“外来词和野蛮人的节奏”,向黑人音乐家和应避免的单词列表:酒吧,茶室,跳舞。同时,画外音令人沮丧地得出结论:“时尚继续注视着巴黎”。这是法西斯主义的年代,极权主义的野心拥护“创造历史”的愿望,以及对建立和更新国家的津津乐道。

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    《Domus》 |2010年第936期|118120123-124|共4页
  • 作者

    Simona Morini;

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