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Lighting: Back to Front Or Front to Back?

机译:照明:背对背还是背对背?

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During a recent class at the Global Cinematography Institute in Hollywood, a student told me about a cinematog- rapher he worked for who lit the background first, ignoring the actors until the last minute. I was co-teaching an independent cinematography class with Suki Mendencevic,ASC ("Poison Ivy Ⅱ," "I Hope They Serve Beer in Hell"). Both he and I confirmed that this was, indeed, a very common technique and each of us elaborated a bit on how and why. For myself, I first encountered this idea working as a gaffer for my good friend Christopher Probst ("Detention," "Fire With Fire," and the upcoming "Beyond Skyline"), in our very early days in Hollywood. Chris and I rose through the ranks together and I would gaff when he was shooting and he would pull focus for me when I was shooting.
机译:在好莱坞全球电影学院的最近一堂课上,一位学生告诉我一个他为之工作的电影摄影师,他首先为背景照明,而忽略演员直到最后一刻。我与Suki Mendencevic,ASC(“ Poison IvyⅡ”,“我希望他们在地狱里喝啤酒”)一起教独立的摄影课。他和我都确认这确实是一种非常普遍的技术,我们每个人都对如何以及为什么进行了详细阐述。就我自己而言,在好莱坞成立的初期,我第一次遇到这个想法是为我的好朋友克里斯托弗·普罗布斯特(Christopher Probst)(“拘留”,“火与火”以及即将面世的“超越天际线”)担任监督。克里斯和我一起晋升,当他射击时我会加薪,而当我射击时他会为我吸引注意力。

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  • 来源
    《TV technology》 |2015年第9期|24-24|共1页
  • 作者

    JAY HOLBEN;

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  • 正文语种 eng
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