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Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study

机译:考察技术科学文献:从先锋故事到艺术家,科学家和工程师之间的合作作为研究对象

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The aim of this article is to describe, analyse and categorize the literature on technoscience art in general and technoscience art collaborations in particular. I argue that the literature could be characterized by three thematic traditions: pioneer stories, writing aiming at mapping and categorizing, as well as those problematizing and contextualizing the field. Given that earlier research on technoscience art collaborations primarily consists of art historical and anthropological and ethnographic studies, I further discuss the relation between these approaches and intend to provide a connection between them. Whereas art historical studies are more concerned with issues concerning art history as a discipline, ethnographic studies tend to be more concerned with challenges faced by interdisciplinarity. Finally, I discuss the role of artistic research and art practice in future studies on the topic and emphasize the diversity of the literature on technoscience art, as well as the understanding of technoscience art collaborations as an interdisciplinary effort.
机译:本文的目的是描述,分析和分类有关技术科学艺术的文献,特别是有关技术科学艺术的文献。我认为文学可以以三种主题传统为特征:开拓者的故事,旨在对地图进行分类和分类的文章,以及那些对该领域进行问题和情境化的文章。鉴于较早的技术科学艺术合作研究主要包括艺术史,人类学和人种学研究,因此我将进一步讨论这些方法之间的关系,并试图在两者之间建立联系。艺术史研究更关注与艺术史作为一门学科的问题,而民族志研究则更关注跨学科性所面临的挑战。最后,我讨论了艺术研究和艺术实践在该主题的未来研究中的作用,并强调了关于技术科学艺术的文献的多样性,以及对作为跨学科努力的技术科学艺术合作的理解。

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