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What do creators and viewers owe each other? Microcelebrity, reciprocity, and transactional tingles in the ASMR YouTube community

机译:创造者和观众互相欠什么? ASMR YouTube社区中的微观心皮革,互惠和交易刺痛

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ASMR has skyrocketed to international popularity in recent years, and a thriving community and cultural exists around the phenomenon on YouTube. However, misunderstandings about the practice persist, and little is known about this community in terms of its texts and practices. This research draws on a multiyear digital ethnography into the ASMR culture and community on YouTube, where I analyze how microcelebrity, the attention economy, platform-specific dynamics, and content creation merge. Drawing on extant research that identifies reciprocity as a key cultural dynamic on YouTube, I argue reciprocity in the ASMR YouTube community, as well as the relationship between creator and viewer, can best be understood as transactional tingles: relaxation in exchange for likes, clicks, and views within the attention economy. Transactional tingles is also a contemporary blending of more traditional art patronage and dealer-critic systems, which offers insights into the role viewers and platforms play in content creation, digital labor, and precarity.
机译:近年来,ASMR飙升至国际人气,庄园的繁荣社区和文化存在于YouTube的现象周围。然而,关于实践持续存在的误解,并且在其文本和实践方面对该社区知之甚少。这项研究在YouTube上划入了ASMR文化和社区的多年数字民族志,在那里我分析了微观性,注意力,特定于平台的动态以及内容创作合并。在现存的研究中绘制互惠作为youtube的关键文化动态,我争论ASMR YouTube社区的互惠,以及创造者和观众之间的关系,最好被理解为事务刺痛:放松以换取喜欢,点击在关注经济中的意见。交易刺痛者也是一种现代化的传统艺术赞助和经销商 - 评论家系统,它为角色观众和平台的见解提供了内容创作,数字劳动力和前提。

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