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首页> 外文期刊>Frontiers in Psychology >Research-Based Theater and “Stigmatized Trauma”: The Case of Suicide Bereavement
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Research-Based Theater and “Stigmatized Trauma”: The Case of Suicide Bereavement

机译:基于研究的剧院和“耻辱的创伤”:自杀丧亲之痛

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Background: Existing research shows that family members who suffer the loss of a loved one through suicide often experience self-blame and shame, and that this limits their grieving process. It can also lock them into stigmatized positions and the notion that either somebody or a dysfunctional family is to blame for the suicide. Aim: This article investigates from a narrative perspective how a theater play might counteract the stigma that surrounds suicide bereavement by contributing destigmatizing understandings of suicide. Methods: A theater play was performed in a churchyard theater in Stockholm, Sweden, in 2019. Audience members were asked to write down their free reflections on a form distributed at the theater. In particular, they were asked to assess whether they found the play related to their own lives and, if so, how; and to describe what they had learned. Their written reflections [N=41] were analyzed from a narrative methodological perspective to investigate their responses to the play. Three categories of audience member were identified from their responses: people with their own suicide bereavement experiences; people with similar but different experiences of stigmatized trauma; and people who did not report any experiences of suicide or stigmatized trauma. Results: The suicide-bereaved generally reported familiarity with the thematic performed, in particular the “why question”, the blame and shame responses and the silenced family communication. Most of these aspects were also shared by those affected by other types of stigmatized trauma. Respondents from all categories emphasized how they had learned that suicide is a desperate rather than a deliberated act, caused by overwhelming emotional pain or depression. Ultimately, suicide was perceived as an involuntary act caused by complex interacting factors linked to both inner vulnerabilities and stressful life events, for which no one was to blame. Conclusions: The results show that research-based theater is a time-limited and cost-effective method of introducing alternative meanings and identities to both individual mourners and the broader cultural context from which stigma originates, and how it can have destigmatizing effects on a stigmatized trauma such as suicide bereavement.
机译:背景:现有研究表明,通过自杀遭受爱人丧失的家庭成员经常会经历自我责任和羞耻,这限制了他们的悲伤过程。它还可以将它们锁定到耻辱的位置和某人或功能失调的家庭的概念是归咎于自杀。目的:本文从叙事视角调查了戏剧游戏如何抵消耻辱,通过促进自杀的借鉴来抵消自杀丧亲飞的耻辱。方法:2019年,在瑞典斯德哥尔摩的墓地剧院中进行了剧院剧院。被要求在剧院分发的形式下写下他们的自由反思。特别是,他们被要求评估他们是否找到与自己生活相关的比赛,如果是的话,如何;并描述他们所学到的东西。他们的书面反思[n = 41]被从叙述方法的角度分析,以调查他们对游戏的反应。从他们的回答中确定了三类观众成员:有自己自杀的丧亲丧亲体验;具有相似但不同的耻起的创伤经历的人;并且没有报告任何自杀或耻辱的创伤经验的人。结果:自杀亲情的一般报道熟悉所做的专题,特别是“为什么问题”,责任和羞耻响应和沉默的家庭通信。这些方面的大部分也被其他类型的耻辱性创伤影响所分享。所有类别的受访者强调他们如何了解到自杀是一种绝望而不是审议的行为,由压倒性的情绪疼痛或抑郁症引起。最终,自杀被认为是由与内部漏洞和压力生活事件相关的复杂的相互作用因素引起的非自愿行为,因为没有人应该责备。结论:结果表明,基于研究的剧院是向个人哀悼者和耻辱原始的更广泛的文化背景引入替代含义和身份的时间有限和成本效益的方法,以及如何对侮辱性的效果自杀丧亲之类的创伤。

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