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Art in the Face of Evil: Analogies between the Conceptions of Two French Resistance Fighters

机译:艺术面对邪恶:两种法国抵抗战士的概念之间的类比

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I present two conceptions of the human being and art: that of Renaudthe main fictional character of a short novel written by Vercorsand that of Albert Camus. Although these French resistance fighters experienced the same war, the same terrible events surprisingly lead them to opposite extremes: the first one to despair and the rejection of art perceived as an unbearable lie, the second one to hope and to artistic commitment. Analogical reasoning allows us to show both the similarities and the distinctions between these two men or, more precisely, between what they tell us about human beings and art. Thanks to this, it is easier to understand the essential role the artist plays and his duty towards humankind. Moreover, in the work of Albert Camus, we will see that revolt isand must beconnected to love.
机译:我展示了人类和艺术的两个概念:叛乱的尊重小说的主要虚构性格,vercorsand an albert camus。虽然这些法国抵抗战士经历了同样的战争,但同样可怕的事件令人惊讶地引导他们对面极端:第一个绝望和拒绝被认为是一个无法忍受的谎言,第二个希望和艺术承诺。类比推理让我们展示了这两个男人之间的相似之处和区别,或者更准确地说,他们告诉我们关于人类和艺术的东西。谢谢这一点,更容易理解艺术家扮演的基本角色以及他对人类的责任。此外,在阿尔伯特卡姆斯的工作中,我们会看到叛乱的责任,必须坚持爱情。

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