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首页> 外文期刊>She Ji; The Journal of Design, Economics, and Innovation >Design Demarcation—A Pointless and Fruitless Task . . .
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Design Demarcation—A Pointless and Fruitless Task . . .

机译:设计界面 - 一个毫无意义和无果蝇的任务。 。 。

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摘要

The term “design” seems to possess a multitude of meanings, interpretations, and uses for people who do not practice as professional designers or teach design at the tertiary or university level. To the general public, at its root, design apparently comes across as two-dimensional decoration and/or as a three-dimensional aesthetic application in the form of surface styling or decoration of a structure, shape, or form. Some might call this understanding superficial, a conclusion compounded by such statements as “everyone is a designer.” However, one might also say that everyone is an accountant, nurse, doctor, philosopher, or psychologist in their daily life when a limited need arises at different points in time. Yet, rarely would many actually begin to believe that they could function in these roles professionally even if they believe that they themselves have no need of professional training or expertise. Given the complex use of “design” as a noun, including its interpretation or misinterpretation, one has to question what demarcation of design as a notion would actually achieve, or why it is believed to be necessary?
机译:术语“设计”似乎拥有众多含义,解释,并为在第三级或大学层面练习专业设计师或教学设计的人来说。对于公众,在其根本,设计显然伴随着二维装饰和/或以表面造型或结构,形状或形式的装饰形式的三维美学应用。有些人可能称之为肤浅的理解,这是一个结论,这些陈述与“每个人都是设计师”这样的陈述。然而,人们也可能说每个人都是会计师,护士,哲学家或心理学家在日常生活中,当时有限需求在不同的时间点出现。然而,很少有人实际上很想相信,即使他们认为他们自己不需要专业培训或专业知识,他们也可以专业地在这些角色中起作用。鉴于“设计”作为名词的复杂使用,包括其解释或误解,一个人必须质疑设计的划分,因为实际实现的概念,或者为什么据信是必要的?

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