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Evolution Of Turkish Movie Cluster: A Social Network Analysis Perspective

机译:土耳其电影集群的演变:社交网络分析视角

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The term culture industry was first used by Adorno and Horkheimer (2002)in order to describe the mass production of cultural goods such as films,music, radio programs, and so on with an emphasis on the deterioration ofthe philosophical role of culture. Nevertheless, the scope and the usage of theterm has evolved over time, and nowadays it covers all creative and mediaindustries with a diversified focus. In this context, the concept of cultureor creative cluster has also become an attractive approach in the literature,and consequently, a policy tool. Employment of certain measures such asconcentration indexes (particularly LQ-Location Quotient) are widespread inthe literature for the identification of the clusters (Boix et al., 2015). However,many central conceptual and theoretical questions are still unansweredregarding the extent and evolution of the clusters concerned.
机译:文化行业首次由Adorno和Horkheimer(2002)使用,以描述群体的批量生产,如电影,音乐,广播节目等,并强调文化哲学作用的恶化。然而,Theterm的范围和使用随着时间的推移,现在它涵盖了所有创意和媒体行业,具有多元化的焦点。在这种情况下,培养人创造性群集的概念也成为文学中有吸引力的方法,因此是一个策略工具。某些措施的就业,例如融合指标(特别是LQ-Location商)是识别群集的界面的界面(Boix等,2015)。然而,许多中央概念和理论问题仍未透露,抛弃有关集群的程度和演变。

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