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首页> 外文期刊>Innovation in aging. >The Connections of Elderly Characters and Taiwanese Society in Edward Yang’s Movie “Yi Yi” (A One and a Two)
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The Connections of Elderly Characters and Taiwanese Society in Edward Yang’s Movie “Yi Yi” (A One and a Two)

机译:Edward Yang电影“Yi Yi”的老年人人物和台湾社会的联系(一和二)

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Abstract As an aging society, Taiwanese is facing the low birthrate and low death rate, and many policies and social systems are facing difficulties. According to the social atmosphere, young and senior groups have many conflicts in between. Finding an alternative approach to reveal the social value of aged people becomes an important mission. The Taiwanese’ movie “Yi-Yi”(A one and a two, 2000) is the final masterpiece of Director Edward Yang, and he won the best director in Festival de Cannes. The story is taken place in a traditional Taiwanese wedding party, and there is a grandma who was invited to this party before her pass out. The grandma did not weak up until the end of this story. The director Yang filmed this sick character in the story and he showed the family members were gathering around their grandma. This study adopts the narrative analysis on elders in “Yi Yi”. There are three findings. First, the elder character is speechless but her sickness drives family members coming home. Second, the long term care is a heavy duty for family, but it reflects the preparations of individual physically and emotionally. Third, the meaning of image of elders is not image itself but family solidarity and social connection. The narrative theory and gerontology build a perspective to understand the social values and narrative functions of elderly people in “Yi-Yi”. It shows the conflict between different age groups and enlarges the spectrum of understanding elders in both Taiwanese’ movie and Taiwanese society.
机译:摘要作为一个老化的社会,台湾人面临着低出生率和低死亡率,许多政策和社会制度都面临困难。根据社会氛围的说法,年轻人和高级团体之间有许多冲突。寻找替代方案,揭示老年人的社会价值成为一个重要的使命。台湾的电影“易毅”(一和二,2000年)是主任爱德华杨的最终杰作,他赢得了戛纳节日的最佳导演。这个故事是在传统的台湾婚礼派对中进行的,在她昏倒之前,有一个奶奶被邀请参加这个派对。奶奶直到这个故事结束直到这个故事的结束。导演杨在故事中拍摄了这个疾病的角色,他展示了家庭成员正在收集他们的奶奶。本研究采用“易毅”中长老的叙事分析。有三种调查结果。首先,老人的性格是无言以对的,但她的疾病驱动家庭成员回家。其次,长期护理是家庭的重大职责,但它反映了物理和情感上的个体的准备。第三,长老的形象的含义不是形象本身,而是家庭团结和社会联系。叙事理论和庸医学建立了一个观点,了解“益毅”的老年人的社会价值观和叙事功能。它显示了不同年龄组之间的冲突,并扩大了台湾电影和台湾社会中的理解长度。

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