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首页> 外文期刊>International journal of occupational medicine and environmental health. >Traumatic knee injury patterns in Anatolian folk dancers: a case series and literature review
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Traumatic knee injury patterns in Anatolian folk dancers: a case series and literature review

机译:Anatolian民间舞者的创伤膝关节伤害模式:案例系列与文学综述

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Lower extremities, especially the knee region, are susceptible to traumatic injuries because of long-lasting hard landings and impacts. Most of the injuries described in the literature are associated with ballet. In this review study, the authors tried to present the traumatic knee injury patterns of the Anatolian folk dance. The Fire of Anatolia dance group consists of 82 dancers (37 males [45.1%] and 45 females [54.9%]) with the mean age of 27.96 (SD = 5.05) years (range: 18–38 years). The major folk dances of the region are Zeybek, Halay, Horon, Teke, Roman, Karsilama, Bar and Lezginka (“the Caucasian”). The dancers suffered from 9 orthopedic injuries requiring surgical treatment (3 meniscus tears, 4 anterior cruciate ligament tears, 1 posterior cruciate ligament tear, 1 patellar dislocation) during a 10-year period. The authors investigated solely the traumatic injuries of these folk dance styles and aimed at revealing the traumatic knee injury patterns in this case series and literature review. On the one hand, the Anatolian folk dancers experienced meniscus tears following frequent squats and twists on single leg stances, typical of Horon and Zeybek. On the other hand, anterior cruciate tears happened after jumps and landings in the Caucasian (Lezginka jump) dance. A posterior cruciate ligament tear was also seen after the Caucasian dance landing. The split figure in the Karsilama dance ended up with patellar dislocation. Certain dance figures seem to be related to specific types of injuries.
机译:由于持久的坚硬着陆和影响,下肢,尤其是膝盖区域,易受创伤性损伤的影响。文献中描述的大多数受伤与芭蕾舞有关。在这项审查研究中,作者试图提出安纳托利亚民间舞蹈的创伤膝关节伤害模式。安纳托利亚舞蹈组的火焰由82名舞者(37名男性[45.1%]和45名女性[54.9%])组成,平均年龄为27.96(SD = 5.05)年(范围:18-38岁)。该地区的主要民间舞蹈是Zeybek,Halay,Horon,Teke,Roman,Karsilama,Bar和Lezginka(“高加索人”)。舞者患有9个骨科伤害,需要手术治疗(3个弯月面眼泪,4个前十字韧带的泪液,1后十字韧带撕裂,1个髌骨位错)在10年期间。作者仅研究了这些民间舞蹈风格的创伤伤害,旨在揭示这种案例系列和文学评论中的创伤膝关节伤害模式。一方面,安纳托利亚民间舞者经历了频繁蹲下,扭曲单腿立场,典型的Horon和Zeybek的疯狂泪水。另一方面,在白种人(Lezginka跳跃)舞蹈中跳跃和着陆后发生了前缘的泪水。白种人舞蹈登陆后也看到了后十字韧带撕裂。 Karsilama舞蹈中的分裂形象最终搭配了髌骨脱位。某些舞蹈数字似乎与特定类型的伤害有关。

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