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Asymmetry of pictorial space: A cultural phenomenon

机译:图片空间的不对称:一种文化现象

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Art experts have argued that the mirror reversal of pictorial artworks produces an alteration of their spatial content. However, this putative asymmetry of the pictorial space remains to be empirically proved and causally explained. Here, we address these issues with the “corridor illusion,” a size illusion triggered by the pictorial space of a receding corridor. We show that mirror-reversed corridors—receding respectively leftward and rightward—induce markedly different illusion strengths and thus convey distinct pictorial spaces. Remarkably, the illusion is stronger with the rightward corridor among native left-to-right readers (French participants, n = 40 males) but conversely stronger with the leftward corridor among native right-to-left readers (Syrian participants, n = 40 males). Together, these results demonstrate an asymmetry of the pictorial space and point to our reading/writing habits as a major cause of this phenomenon.
机译:艺术专家认为,绘画作品的镜像反转会改变其空间内容。但是,图形空间的这种假定的不对称性仍有待经验证明和因果解释。在这里,我们用“走廊错觉”解决这些问题,“走廊错觉”是由后退走廊的图片空间触发的大小错觉。我们显示,镜像倒置的走廊(分别向左和向右后退)会产生明显不同的幻觉强度,从而传达出独特的图像空间。值得注意的是,这种错觉在母语为从左至右的读者(法语参与者,n = 40男性)中向右走动更强,但相反的错觉则在母语从右至左的读者(叙利亚参与者,n = 40男性)中向左走道更强。 )。总之,这些结果证明了图片空间的不对称性,并指出我们的阅读/写作习惯是造成这种现象的主要原因。

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