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Emotional Response and Changes in Heart Rate Variability Following Art-Making With Three Different Art Materials

机译:用三种不同的美术材料进行美术创作后的情绪反应和心率变异性的变化

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Art therapy encourages the use of art materials to express feelings and thoughts in a supportive environment. Art materials differ in fluidity and are postulated to thus differentially enhance emotional response (the more fluid the material the more emotion elicited). Yet, to the best of our knowledge, this assumption has not been empirically tested. The current study aimed to examine the emotional and physiological responses to art-making with different art materials. We were particularly interested in vagal activity, indexed by heart rate variability (HRV), because of its association with numerous health related outcomes. In this study, 50 adults (mean age 33 ± 10.27 years, 52% males) participated in a repeated measures experiment, in which they were requested to draw with three art materials (order randomized) differing in their level of fluidity (pencil, oil-pastels, and gouache paint) intermittent with periods of music. We measured the emotional response to art-making with each material using a self-report measure and matrices of HRV using a wearable electrocardiogram device. We calculated two indices of HRV, one indicative of parasympathetic nervous system (PNS) activity, and one indicative of sympathetic nervous system (SNS) activity. Art-making with gouache paint and oil-pastels resulted in improved positive mood, while pencil did not. Art-making explained approximately 35% of the variability in parasympathetic reactivity, which may indicate changes in emotional regulation processes during the art-making task. Yet, fluidity was not sufficient to explain the reaction to art-making. Surprisingly, the largest suppression of PNS and augmentation of the SNS occurred during art-making with oil-pastels and not with Gouache. Moreover, PNS and SNS reactivity to oil-pastels were related to emotional valance, which may point to emotional engagement. We can conclude that art-making with oil-pastels, first created in Japan in 1924 to increase self-expression of students, results in a unique emotional and physiological responses. These findings might be explained by the enhanced tactile experience of art-making with oil-pastels along with their relative fluidity, triggering an arousal pattern. Further studies that take the format and presentation of the materials as well as the content of the artwork, into account, are needed.
机译:艺术疗法鼓励在支持性环境中使用艺术材料来表达感觉和想法。美术材料的流动性不同,因此被假定为有差别地增强情感反应(材料越易流动,引起的情感就越多)。然而,就我们所知,此假设尚未经过经验检验。当前的研究旨在检验使用不同艺术材料对艺术创作的情感和生理反应。我们对迷走神经活动特别感兴趣,迷走神经活动是通过心率变异性(HRV)进行索引的,因为它与许多健康相关的结局相关。在这项研究中,有50位成年人(平均年龄为33±10.27岁,男性为52%)参加了一项重复测量实验,其中要求他们用三种流动性不同的美术材料(铅笔,油)进行绘画(随机订购) -粉刷和水粉颜料)随着音乐的播放而断断续续。我们使用自我报告测量方法测量了每种材料对艺术创作的情感反应,并使用可穿戴心电图仪测量了HRV矩阵。我们计算了HRV的两个指数,一个指示副交感神经系统(PNS)活性,另一个指示交感神经系统(SNS)活性。用水粉颜料和油画颜料制作艺术品可以改善积极情绪,而铅笔则不能。美术解释了大约35%的副交感反应性变异,这可能表明美术创作过程中情绪调节过程的变化。然而,流动性不足以解释对艺术创作的反应。出人意料的是,在用油画棒而不是用水粉颜料制作艺术的过程中,最大程度地抑制了PNS和增强了SNS。此外,PNS和SNS对油膏的反应性与情绪化合价有关,这可能表明情绪参与。我们可以得出结论,用油画颜料进行的艺术创作最初于1924年在日本成立,旨在提高学生的自我表达能力,其产生了独特的情感和生理反应。这些发现可能是由于油画棒的艺术制作具有增强的触觉体验以及它们的相对流动性,从而引发了唤醒方式。需要进行进一步的研究,考虑材料的格式和表示方式以及艺术品的内容。

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