In Jonathan Glaser’s 2014 film Under the Skin , blackness appears as a special visual effect, outside the photo-cinematic real. At moments in this film, images of what might be described as “total blackness” appear as both abstraction and figuration, so that “blackness” might mean promiscuously and differently in its distinct iterations: as the unknowable and as the alienon-human, respectively—though at a couple moments the figure and ground become almost indecipherable. Blackness itself comes to seem unreal in this film.
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机译：在乔纳森·格拉瑟（Jonathan Glaser）2014年的电影《皮肤下》（The Under the Skin）中，黑度表现为一种特殊的视觉效果，超出了电影摄影的真实范围。在这部电影中的某些时刻，可能被描述为“全黑”的图像既是抽象的又是形象化的，因此“黑”在其不同的迭代中可能会混杂地和有不同的含义：作为不可知的和外来的/非人类的，尽管很快，人物和地面几乎变得难以辨认。在这部电影中，黑度本身似乎是虚幻的。
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