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Review of Uppinder Mehan’s “Postcolonial Science, Cyberpunk and The Calcutta Chromosome”

机译:回顾Uppinder Mehan的“后殖民科学,赛博朋克和加尔各答染色体”

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Literature and science studies have, to date, largely focused on science in the Western world and, to an extent, the literary production of 'the West'; the global history of science, and science as it figures in postcolonial and world literature, have remained relatively unexplored. Uppinder Mehan's article offers scholars an introduction to these topics as it surveys the complex history of science in colonial contexts and, using Amitav Ghosh's The Calcutta Chromosome (1995) and Nalo Hopkinson's Midnight Robber (2000) as case studies, examines how the seeming opposition between Western science and Eastern mysticism is addressed in postcolonial fiction. Mehan's contention is that these novels "trouble all manner of genre distinctions and by doing so draw attention to the constellation of science, colonialism and cultural production" (1).
机译:迄今为止,文学和科学研究主要集中在西方世界的科学上,在一定程度上讲是“西方”的文学作品。全球科学史以及在后殖民和世界文学中所占的比例的科学仍然相对未被开发。 Uppinder Mehan的文章为学者提供了这些主题的介绍,因为它概述了殖民背景下的复杂科学史,并以阿米塔夫·戈什(Amitav Ghosh)的《加尔各答染色体》(The Calcutta Chromosome,1995)和纳洛·霍普金森(Nalo Hopkinson)的《午夜强盗》(Midnight Robber,2000)作为案例研究,考察了两者之间的看似对立。西方科学和东方神秘主义在后殖民小说中得到了解决。梅恩的观点是,这些小说“扰乱了各种类型的区分,并因此引起人们对科学,殖民主义和文化生产星座的关注”(1)。

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