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”Students can have a really powerful role…”

机译:“学生可以发挥非常强大的作用……”

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Educational practice needs to continuously update the curriculum in line with both current theoreticalframeworks developed within academia and the lived reality of the coming generation. Thisarticle takes the student perspective on this issue, investigating a case from secondary music educationin England. In 2015, Jessy McCabe initiated a successful campaign for the inclusion of womencomposers on the A-level syllabus, in order to create a more gender-balanced curriculum. Drawingon a qualitative interview with Jessy McCabe, I elaborate on the significance of the campaignwithin the framework of canon critique and critical pedagogy. The case shows that balancing thecurriculum needs no longer to be a “future position” as Lucy Green suggested in 1997. The qualitativedata underscore the importance of the teacher as a role model and the effectiveness of thestudent as co-investigator within the process of curriculum transformation. In both cases, a genderperspective can be an appropriate and significant tool to achieving a more balanced curriculum.
机译:教育实践需要根据学术界当前发展的理论框架和下一代的现实生活,不断更新课程。本文从学生的角度出发,对英国中学音乐教育的一个案例进行了调查。 2015年,Jessy McCabe发起了一项成功的运动,将女性作曲家纳入A级课程提要,以创建更加平衡性别的课程。在对杰西·麦凯比(Jessy McCabe)进行定性采访时,我详细阐述了该运动在经典批评和批判教育学框架内的重要性。案例表明,课程的平衡不再需要像露西·格林(Lucy Green)在1997年提出的那样。定性数据强调了教师作为榜样的重要性以及在课程改革过程中学生作为共同研究者的有效性。 。在这两种情况下,性别观点都是实现更加均衡的课程的合适且重要的工具。

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