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首页> 外文期刊>Japan Architectural Review >The derivation of cross‐in‐square churches in terms of their interior tectonic configuration: The genealogy of cross‐in‐square churches during the Middle Byzantine period (1)
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The derivation of cross‐in‐square churches in terms of their interior tectonic configuration: The genealogy of cross‐in‐square churches during the Middle Byzantine period (1)

机译:就内部构造构造而言,十字教堂的派生:拜占庭中期的十字教堂的族谱(1)

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摘要

The cross‐in‐square was one of the most common church types during the Middle Byzantine period (9th–12th centuries). Previous studies established the definingfloor layout of these churches but did not investigate their development over time. This paper looks at as many churches as possible (95) within the area of Byzantine cultural influence to note the chronology of changes in their tectonic configuration; i.e., construction methods and three‐dimensional shapes. Two different lineages are identified, along with another group that does not amount to a lineage; previous studies have overlooked these changes in architectural configuration over time in their focus on the floor plans. The cross‐in‐square is one of the most common church types in the Middle Byzantine period (9th–12th centuries). Previous studies established the defining floor layout of these churches, but did not investigate their development over time. This paper looks at as many churches (95 churches) as possible within the area of Byzantine cultural influence to note the chronology of changes in their tectonic configuration, construction methods, and three‐dimensional shapes. Two different lineages are identified, along with another group that does not amount to a lineage; previous studies have overlooked these changes in architectural configuration over time in their focus on the plan.
机译:在拜占庭中期(9至12世纪),十字教堂是最常见的教堂类型之一。先前的研究确定了这些教堂的定义楼层布局,但并未调查其随着时间的发展。本文着眼于拜占庭文化影响力范围内的尽可能多的教堂(95),以记录其构造形态变化的时间顺序。即构造方法和三维形状。确定了两个不同的血统,以及不属于血统的另一组血统。以往的研究在关注平面图时忽略了这些随时间推移而发生的建筑配置变化。方形教堂是拜占庭中部时期(9至12世纪)最常见的教堂类型之一。先前的研究确定了这些教堂的定义楼层布局,但并未调查其随着时间的发展。本文考察了拜占庭文化影响范围内的尽可能多的教堂(95个教堂),以记录其构造构造,构造方法和三维形状变化的时间顺序。确定了两个不同的血统,以及不属于血统的另一组血统。以往的研究在关注计划时忽略了架构配置随时间的变化。

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