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Standardization of method for determining the production of movies picture projective situations

机译:确定电影影像投影情况的制作方法的标准化

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Productivity of a projective situation was defined as its capacity to elicit from subjects, stories which would reveal: (i)Identification,(ii)Variation (in plot)and (iii)Imagination. Stories written by 21 subjects to five movies picture projective situation, were evaluated by two judges working independently, in a quantitative from by answering questions devised to know the presence or otherwise of the above-mentioned three criteria in a story. Data obtained were treated statistically to find out which of the situations obtained over 60% scores from the two judges and showed inter-judges and inter-criteria reliabilities. Four situations met the stipulations. Failure of one, a dream sequence, suggests that a movie picture projective situation, is to have a 'sense of direction' too about it, in addition to the criteria suggested by Symonds for selecting static projective pictures.
机译:投射情况的生产率定义为它从主题,故事中得出的能力,这些事物可以揭示:(i)标识,(ii)变化(情节)和(iii)想象力。两位法官独立工作,对21个主题写的故事讲述了五个电影的投影情况,通过回答被设计为知道故事中是否存在上述三个标准的问题,进行了定量评估。对获得的数据进行统计处理,以找出哪种情况从两位法官那里获得的得分超过60%,并显示出法官之间和准则之间的可靠性。符合规定的有四种情况。一个失败的梦境序列,表明电影画面的投影情况,除了Symonds建议的选择静态投影画面的标准之外,还应该具有“方向感”。

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