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“‘The Mighty Meaning of the Scene’” Feminine Landscapes and the Future of America in Margaret Fuller’s Summer on the Lakes, in 1843

机译:“场景的强大含义”,玛格丽特·富勒(Margaret Fuller)的《夏日的湖面》中的女性风景与美国的未来,1843年

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Like many of her contemporaries, Margaret Fuller had great hopes for the West. The Western lands, open for America’s future, held the promise of what America could become. In Summer on the Lakes , Fuller sketches what she hopes America will become. Using the landscape aesthetics of her age, such as the work of Andrew Jackson Downing and the Hudson River School of landscape painting, Fuller describes the ideal landscape as one that is more feminine and nurturing, one in which humankind lives in harmony with nature. Fuller’s landscape descriptions both point to a better future for America and critique the values of her contemporaries. Fuller contrasts America’s more male vision of conquest of the land with her feminine ideal of harmony with nature—a cultivated garden—to show what America’s future should be, as it builds westward.
机译:像她的许多同时代人一样,玛格丽特·富勒(Margaret Fuller)对西方充满了希望。向美国的未来开放的西方国家对美国将成为什么样的前景抱有希望。在《夏日湖中》中,富勒勾勒了她希望美国成为什么样的国家。富勒运用安德鲁·杰克逊·唐宁(Andrew Jackson Downing)和哈德逊河山水画派等作品的时代美感,将理想的风景描述为一种更加女性化和哺育性的风景,其中人类与自然和谐相处。富勒(Fuller)的风景描写既指向美国更美好的未来,也批评了她同时代人的价值观。富勒(Fuller)将美国更男性化的征服土地愿景与她与大自然和谐相处的女性理想-一个种植园-进行了对比,以展示美国向西建设时的未来。

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