首页> 外文期刊>H-ermes. Journal of Communication >STORICIZZARE “REVOLVER”. Gli albori della cultura pop e il metadiscorso della modernità=HISTORIZE 'REVOLVER'. The beginnings of pop culture and the metadiscourse of modernity
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STORICIZZARE “REVOLVER”. Gli albori della cultura pop e il metadiscorso della modernità=HISTORIZE 'REVOLVER'. The beginnings of pop culture and the metadiscourse of modernity

机译:历史记录“ REVOLVER”。流行文化的曙光和现代性的元话语= HISTORIZE“ REVOLVER”。流行文化的开端和现代性的元话语

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HISTORIZE "REVOLVER". The beginnings of pop culture and the metadiscourse of modernity. Besides its musical innovations, the Beatles’ “Revolver” displays many points of sociological and cultural interest, including peculiar forms of self-education such as Abraham Moles’ “mosaic culture”. Being the foundation stone of so-called ‘pop culture’ in 1966, the album marks the beginning of modernity in popular music, but it also discloses many features of post-modernism. Through “Revolver”, actually, the discourse of modernity reveals all its intrinsic contradictions. Today, when its aural and intercultural features have been fully absorbed by contemporary pop music in a fifty years time, listening to it is an experience far different from its ‘innocent’ auditory intimacy in 1966. Such a difference would demand an investigation of the role of nostalgia in our perception of the past
机译:历史记录“ REVOLVER”。流行文化的起源和现代性的元话语。披头士乐队的“左轮手枪”在音乐创新方面表现出许多社会学和文化趣味,包括亚伯拉罕·莫尔斯的“马赛克文化”等特殊的自我教育形式。这张专辑是1966年所谓的“流行文化”的基石,标志着流行音乐的现代性开始,但同时也揭示了后现代主义的许多特征。实际上,通过“左轮手枪”,现代性话语揭示了其所有内在矛盾。如今,当它的听觉和跨文化特征在五十多年的时间里被当代流行音乐完全吸收时,聆听它的经历与1966年的“纯真”听觉亲密感相去甚远。这种差异要求对角色进行调查。我们对过去的怀念

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