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Contextualized music listening: playlists and the Mehrabian and Russell model

机译:情境化的音乐收听:播放列表以及Mehrabian和Russell模型

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The present research considered everyday music listening in the context of eight situations, classified as high or low on Mehrabian and Russell’s (1974) Pleasure-Arousal-Dominance (PAD) dimensions. Completing a questionnaire, 344 participants considered the music they would select and created a playlist for a given situation. The music selected by participants (as playlists) for these eight situations differed along two dimensions, namely arousing and aesthetic. Rather than selecting music that would moderate arousal (Berlyne, 1971), results indicated that participants employed an arousal-optimization strategy. There were also differences in the music selected across situations on the aesthetic dimension. The findings also suggest that music chosen for situations is subject to injunctive norms, such that there was considerable variation between the music chosen for listening to on public transport or when washing dishes, whereas music selected for a wedding was perceived as more homogeneous. While previous research has considered music preference in terms of pleasure and arousal, the apparent role of injunctive norms may be related to dominance and requires additional research. More generally, the results indicate that Mehrabian and Russell’s PAD dimensions offer a useful framework for considering the relationship between music and the environmental context in which it is experienced.
机译:本研究考虑了在八种情况下的日常音乐聆听,在Mehrabian和Russell(1974)的“愉悦性—举起优势”(PAD)维度上分为高或低。填写问卷,有344位参与者考虑了他们会选择的音乐,并针对特定情况创建了一个播放列表。参与者针对这八种情况选择的音乐(作为播放列表)在两个方面有所不同,即唤起和审美。结果表明,参与者选择了一种唤醒优化策略,而不是选择会引起唤醒的音乐(Berlyne,1971)。在美学维度上,根据情况选择的音乐也存在差异。研究结果还表明,为特定情况选择的音乐受禁令规范的约束,因此,在公共交通工具上收听或洗碗时选择的音乐之间存在很大差异,而在婚礼上选择的音乐则被认为更加同质。尽管先前的研究从愉悦和唤醒方面考虑了音乐偏好,但禁令规范的明显作用可能与主导地位有关,需要进行其他研究。更普遍地说,结果表明Mehrabian和Russell的PAD维度提供了一个有用的框架,用于考虑音乐与音乐所经历的环境之间的关系。

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