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The Promise of Kickstarter: Extents to Which Social Networks Enable Alternate Avenues of Economic Viability for Independent Musicians Through Crowdfunding:

机译:Kickstarter的承诺:社交网络通过众筹为独立音乐家提供另辟of径的经济可行性的程度:

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Since its inception in 2009, Kickstarter, a crowdsourced funding site, has been a platform for independent creative projects to get funding, ostensibly providing alternate routes of economic viability outside of a traditional framework of creative production and distribution. Kickstarter comes onto the scene after the proliferation of online social networking sites, through which bridging social capital ties are more easily maintained. This article investigates the ways in which independent musicians have used Kickstarter in conjunction with pre-existing social networks to fund their album and sustain themselves and their artistic endeavors economically while also exploring how social networks provide ways for these a??Kickstarter campaignsa?? to reach potential backers (funders). Through three online surveys targeting musicians, their backers, and general Kickstarter backers, yielding a total of 61 respondents, this article finds that pre-existing personal social networks and relations are imperative to the successful funding of Kickstarter campaigns.
机译:自2009年成立以来,众包融资网站Kickstarter一直是独立创意项目获得资金的平台,表面上在传统的创意制作和发行框架之外提供了经济可行性的替代途径。在线社交网站激增之后,Kickstarter出现了,通过它可以更轻松地保持架桥的社会资本纽带。本文研究了独立音乐家如何使用Kickstarter结合已有的社交网络来为其专辑提供资金并经济地维持自己及其艺术创作,同时还探索了社交网络如何为这些“ Kickstarter运动”提供方式。接触潜在的支持者(资助者)。通过针对音乐家,其支持者和一般的Kickstarter支持者的三项在线调查,总共产生了61位受访者,本文发现,预先存在的个人社交网络和关系对于成功为Kickstarter活动筹集资金至关重要。

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