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Citizenship in (sub) urban spaces: the Theater of the Oppressed in the Alto da Cova da Moura and in the Vale da Amoreira

机译:在(次级)城市空间中的公民身份:奥拓·达科瓦·达·穆拉和阿雷拉山谷的被压迫者剧院

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From the study of the activities developed by two Theatre of the Oppressed communitarian groups - DRK (Alto da Cova da Moura, Amadora) and ValArt (Vale da Amoreira, Moita) -, we seek to understand how can citizenship through art contribute to the construction of more just cities, and what are the challenges and limits that this process faces. The research developed in conjunction with the young people participating in both groups shows us that it is mainly through the revelation and valorisation of their personal and contextual experiences, histories and narratives within the framework of their social and political intervention through theatre, that some of the nefarious effects of contemporary urbanization are fought, and the frontiers separating these urban spaces from their surroundings are diluted.
机译:通过研究两个受压迫的共产主义剧院团体-DRK(阿马多拉的Alto da Cova da Moura)和ValArt(穆阿塔的Vale da Amoreira)开发的活动,我们试图了解通过艺术实现公民身份对建筑的贡献更多城市,以及此过程面临的挑战和局限性。与参与这两个群体的年轻人共同开展的研究表明,这主要是通过在他们通过剧院进行的社会和政治干预的框架内,对他们的个人和背景经验,历史和叙事的揭示和评价而实现的。对抗了当代城市化的有害影响,将这些城市空间与周围环境分隔开的边界被稀释了。

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