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Facebook and the Napalm Girl: Reframing the Iconic as Pornographic:

机译:Facebook和Napalm Girl:将偶像重新定义为色情:

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Facebooka??s banning of the photo of the iconic Napalm Girl before it was reinstated due to public criticism of the social networking facility was a symbolic and material act of incursion on the sacred. It underscored the prowess of the technology firm as a platform for content sharing from breaking news to banal images where millions of images are shared and integrated through networked relationships and its circulation economy, re-framing and re-configuring social memory, history and morality. More importantly, it asserted the a??technological gazea?? of Facebook where its system of managing content can turn the sacred into puerile and the puerile into popular entertainment, flattening, and re-mapping content through its own moral sensibilities. This Facebook economy imposes its own morality through its a??technological gaze,a?? and in the process thwarts our a??projects of memorya?? opening up wider ethical challenges for society and humanity.
机译:由于公众对社交网络设施的批评,Facebook取消了标志性的《凝固汽油弹的女孩》照片在恢复之前的禁令,这是对神圣事物的象征性和实质性行为。它强调了该技术公司的实力,它是一个内容共享平台,从突发新闻到普通图像,其中数百万张图像通过网络关系及其流通经济性进行共享和整合,重新构架和重新配置社会记忆,历史和道德。更重要的是,它断言了“技术目光”。 Facebook的内容管理系统可以将神圣的东西变成薄利多销,而脆弱的东西变成流行的娱乐,扁平化内容,并通过自身的道德感受重新映射内容。这种Facebook经济通过其“技术注视” a来强加自己的道德。并在此过程中挫败了我们的“记忆项目”?为社会和人类带来更广泛的道德挑战。

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