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Luminescence of coprecipitated titanium white pigments: Implications for dating modern art

机译:共沉淀钛白色颜料的发光:对现代艺术的启示

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Material analysis of cultural artifacts can uncover aspects of the creative process and help determine the origin and authenticity of works of art. Technical studies on abstract expressionist paintings revealed a luminescence signature from titanium white paints whose pigments were manufactured by coprecipitation with calcium or barium sulfate. We propose that trace neodymium present in some ilmenite (FeTiOsub3/sub) ores can be trapped in the alkaline earth sulfate during coprecipitation, generating a luminescent marker characteristic of the ore and process. We show that the luminescence is linked to a specific ilmenite source used in historic TITANOX pigments, is not present in pigments produced by more advanced chemistries, and provides dating information. Facile Raman-based detection of this luminescence, along with characteristic peaks of rutile, anatase, calcium sulfate, or barium sulfate, can identify the type of titanium white pigment and narrow its manufacture date range.
机译:对文化文物的材料分析可以揭示创作过程的各个方面,并有助于确定艺术品的起源和真实性。对抽象表现主义绘画的技术研究表明,钛白漆的发光特征在于其颜料是通过与硫酸钙或硫酸钡共沉淀制备的。我们提出,某些钛铁矿(FeTiO 3 )矿石中存在的痕量钕可在共沉淀过程中被捕集在碱土硫酸盐中,从而产生矿石和过程的发光标记特征。我们表明,发光与历史悠久的TITANOX颜料中使用的特定钛铁矿源有关,不存在于由更高级的化学方法生产的颜料中,并提供了约会信息。基于发光的拉曼光谱检测以及金红石,锐钛矿,硫酸钙或硫酸钡的特征峰,可以识别钛白颜料的类型并缩小其生产日期范围。

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