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Against the Backdrop of Colonialism and Slavery: Loss of Personhood, Cultural Enslavement and Quest for Identity in Earl Lovelace’s The Dragon Can’t Dance

机译:在殖民主义和奴隶制的背景下:伯爵洛夫雷斯(Earl Lovelace)的《龙不能跳舞》中人格丧失,文化奴役和对身份的追求

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Colonialism has come to be one of the defining historical features of many countries of the world which Africa as well as the Caribbean is inevitably part of. The history of the Caribbean people is the history of rather ‘unfortunate’ people who were brought together from various parts of the earth especially from Africa during colonialism and slavery and were forced to live together and forge their paths and destinies as one people following the end of colonialism and abolishment of slave trade. This common and unfortunate experience exerted a lot of influences on the Caribbean people and their writers and has come to dictate the tones and themes of their literature for years. Earl Lovelace is a Caribbean writer whose writings reflect the common themes in Caribbean literature which include quest for identity, conditions of exile, injustice of slavery, ancestral enslavement, culture dislocation, loss of self, identity crisis, search for personhood and endless longing for their original root and culture which defines every human being. This study selected one of his novels entitled, The Dragon Can’t Dance. The study examined how the novel, against the backdrop of colonialism and slavery peculiar to the Caribbean people expressed the loss of personhood, cultural dislocation and enslavement and the quest for a new identity as part of the historical realities of the Caribbean people and how the past shares a common link with the present socio-economic and political present of the people. Keywords: Colonialism, Personhood, Quest for Identity, Cultural Enslavement, Slavery, Rootlessness
机译:殖民主义已成为世界上许多国家的定义性历史特征之一,非洲和加勒比不可避免地成为其中的一部分。加勒比人民的历史是相当“不幸”的人民的历史,他们在殖民主义和奴隶制期间从地球的各个地方,特别是从非洲聚集在一起,被迫同居,并在走下头路之后成为一个民族,走过自己的道路和命运殖民主义和废除奴隶贸易。这种共同而不幸的经历对加勒比人民及其作家产生了很大的影响,并且多年来一直决定着他们文学的基调和主题。厄尔·洛夫雷斯(Earl Lovelace)是一位加勒比海作家,其著作反映了加勒比海文学中的共同主题,包括对身份的追求,流放的条件,奴隶制的不公正,祖先的奴役,文化错位,丧失自我,身份危机,寻求人格和对他们的无尽渴望定义每个人的原始根源和文化。这项研究选择了他的一部小说《龙不能跳舞》。该研究考察了这部小说在加勒比海人特有的殖民主义和奴隶制背景下如何表达出丧失人性,文化错位和奴役以及寻求新身份作为加勒比海人历史现实的一部分以及过去的经历。与当今人民的社会经济和政治现状有着共同的纽带。关键词:殖民主义,人格,身份认同,文化奴役,奴隶制,无根

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