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“And Lo, As Luke Sets Down for Us”: Dante’s Re-Imagining of the Emmaus Story in Purgatorio XXIX–XXXIII

机译:“还有卢,卢克为我们着想”:但丁重新想象《炼狱》第二十至三十三章中的以马us斯故事

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This essay will suggest that Dante’s journey through the earthly paradise in the Purgatorio is a figural representation of the journey of Cleopas and the unnamed disciple on the road to Emmaus in Luke 24. By making several references to the Gospel of Luke , Dante seems to be setting the stage for the reader to understand his own pilgrimage through the Garden of Eden as a retelling of the Emmaus story in the context of the Church Triumphant. Indeed, reading Luke 24 alongside Cantos XXIX–XXXI of the Purgatorio helps students to unpack the complex images of Dante’s experience in light of the themes present in the Emmaus story. For example, the concealment of Beatrice’s face and the gradual unveiling of her beauty mirrors Christ’s gradual revelation of his nature to Cleopas and the unnamed disciple. Cleopas and his companion also walk away from the promise of God revealed in Christ by leaving Jerusalem, just as Dante “took himself” from Beatrice and “set his steps upon an untrue way” (XXX 125, 130). In developing these and other parallels as well as elaborating on their significance for the latter cantos of the Purgatorio , this essay will attempt to establish a pedagogical approach to Books XXIX–XXX that draws on students’ recollections of the familiar Gospel text of Emmaus, which Dante clearly intends (among others) as a resource for appreciating his vision of an essential passage in Christian life.
机译:这篇文章将暗示但丁在《炼狱》中穿越尘世天堂的旅程是对克娄巴和在路加福音24中通往以马us斯的未命名门徒的旅程的象征。通过提及卢克福音,丹特似乎是为读者在伊甸园中了解自己的朝圣提供了舞台,这是在凯旋门背景下重述以马us斯故事的故事。的确,阅读《路加福音》 24章和《炼狱》的Cantos XXIX–XXXI一起,可以帮助学生根据以马us斯故事中的主题来解开但丁的经历的复杂形象。例如,比阿特丽斯(Beatrice)的脸隐藏和她的美丽逐渐暴露,反映了基督对克娄巴(Cleopas)和这位无名门徒的逐渐启示。克娄巴和他的同伴也离开了耶路撒冷,离开了上帝在基督里彰显的应许,就像但丁从比阿特丽斯“把自己引向自己”并“踏上一条不真实的道路”一样(XXX 125,130)。在发展这些及其他相似之处以及详细说明它们对以后的《炼狱》的意义时,本文将尝试建立一种对方法XXIX-XXX的教学方法,该方法借鉴了学生对以马us斯福音书的熟悉回忆,但丁(除其他外)显然打算作为一种资源,以欣赏他对基督徒生活中必不可少的段落的看法。

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