首页> 外文期刊>Religions >Ignatian Inscape and Instress in Gerard Manley Hopkins’s “Pied Beauty,” “God’s Grandeur,” “The Starlight Night,” and “The Windhover”: Hopkins’s Movement toward Ignatius by Way of Walter Pater
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Ignatian Inscape and Instress in Gerard Manley Hopkins’s “Pied Beauty,” “God’s Grandeur,” “The Starlight Night,” and “The Windhover”: Hopkins’s Movement toward Ignatius by Way of Walter Pater

机译:杰拉德·曼利·霍普金斯(Gerard Manley Hopkins)的《染色之美》,《神的伟大》,《星光之夜》和《风声》中的伊格纳斯式的沉浸和强调:霍普金斯通过沃尔特·帕特(Walter Pater)向伊格纳修斯的运动

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This essay discusses Gerard Manley Hopkin’s notions of inscape and instress, examining their early expressions during Hopkins’s time as a student at and recent alumnus of Balliol College, Oxford, their subsequent development amid Hopkins’s career as a Jesuit novice and priest, and their manifestation in four sonnets composed in 1877. Attention is paid throughout to the likely influence of Hopkins’s Balliol tutor, Walter Pater, as well as the influence of Ignatius of Loyola’s Spiritual Exercises upon Hopkins’s presentation of inscape and instress in his poems.
机译:本文讨论了杰拉德·曼利·霍普金(Gerard Manley Hopkin)的景象和压力概念,考察了它们在霍普金斯(Hopkins)就读于牛津巴利奥尔学院(Balliol College)和最近的校友期间的早期表达,以及它们在霍普金斯(Jesuit)的耶稣会新手和牧师生涯中的后续发展,以及它们在四个方面的表现。 1877年创作的十四行诗。人们一直关注着霍普金斯的Balliol导师沃尔特·帕特(Walter Pater)可能产生的影响,以及洛约拉的《灵性练习》的依纳爵斯(Ignatius)对霍普金斯在其诗歌中表达的景象和压力。

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