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Komas uit 'n Bamboesstok en Invisible Cities van Italo Calvino

机译:伊塔洛·卡尔维诺(Italo Calvino)的《竹棍和看不见的城市昏迷》

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The prose work by Italo Calvino, Invisible cities is of special interest in the study of D.J. Opperman's Komas uil 'n bamboesstok.Calvino's novel also has a character, the fictionalised Marco Polo, who plays such an important role in Komas uil 'n bamboesstok. When the traces of Italo Calvino's work are sought in Komas, the coherence between poems in the volume emerges more clearly. The importance of Calvino's “novel” as intertext does not primarily reside in the clarifying reciprocity which it has with single poems or pairs of poems. It is the central intertcxt in the volume, seeing that it is of determining importance for its structure. Opperman's poetic technique in this volume reiterates the structure of Invisible cities: multiplicity which in the end can be reduced to unity.
机译:伊塔洛·卡尔维诺(Italo Calvino)的散文作品在D.J.卡珀诺的小说还有一个角色,即虚构的马可·波罗(Marco Polo),他在科马斯·鲍姆斯托克小说中扮演着重要角色。当在科马斯(Komas)中寻找伊塔洛·卡尔维诺(Italo Calvino)的作品的踪迹时,该卷中各诗之间的连贯性就更加清晰了。加尔维诺的“新颖”作为互文的重要性并不仅仅在于它与单首诗或成对诗歌的对等。它是体积中的中心,因为它对其结构具有决定性的意义。 Opperman的诗意技巧在本卷中重申了“看不见的城市”的结构:多重性最终可以减少为统一。

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