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首页> 外文期刊>Koedoe - African Protected Area Conservation and Science >“Desenhando com ter?os” no espa?o público: rela??es entre religi?o e arte a partir de uma controvérsia
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“Desenhando com ter?os” no espa?o público: rela??es entre religi?o e arte a partir de uma controvérsia

机译:公共空间中的“用术语设计”:宗教与艺术之间的关系引起争议

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In April 2006, the piece “Desenhando com ter?os” of the plastic artist Márcia X. is removed from the exhibition "Erotica – Os sentidos na arte”, displayed at the Centro Cultural Banco do Brasil of Rio de Janeiro. The decision was taken by the director of the cultural institution after public manifestations of Catholics. With four rosaries united forming two double penis decussated, the work was considered offensive by mixing religion and eroticism. From the episode sets up a controversy in which different actors, mainly religious and artists, position themselves on the withdrawal of the work. In this paper, we investigate how the encounter between the different actors and an art object produced a key moment of problematization of the relations and boundaries between religion and art and how both relate to public space.
机译:2006年4月,在里约热内卢的巴西文化中心展览“ Erotica – Os sentidos na arte”展览中,删除了塑料艺术家MárciaX.的作品“ Desenhando comter?os”。由文化机构的负责人在天主教徒公开露面后采取,将四个念珠合在一起形成两个双阴茎,通过混合宗教和色情来将作品视为冒犯性行为。艺术家,将自己置于撤回作品上的位置。在本文中,我们研究了不同演员和艺术品之间的相遇如何产生了关键时刻,使宗教与艺术之间的关系和边界问题化,以及两者如何与公共空间相关联。

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