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‘My special, my special thing, and my camera!’ Using GoPro? as a complementary research tool to investigate young children’s museum experiences.

机译:“我的特色,我的特色和相机!”使用GoPro吗?作为研究幼儿博物馆体验的补充研究工具。

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This paper discusses insights derived from a small-scale ethnographic study designed to explore young children’s (aged three to six) everyday, lived experiences within a participatory family museum in southern England. Inspired by the child-centred work of Kirk (2014) this paper begins by examining the effectiveness of photo-elicitation interviews in accessing ‘snap-shots’ of children’s perspectives of their museum visits. In the current study this method is complemented by the use of chest-mounted GoPro cameras to provide a first person and more holistic perspective of children’s museum visits. 12 children’s visits were filmed in total. During three of these, children were also carrying child-friendly digital cameras. As this was part of a larger study the data collection was designed to compare the utility of GoPro technology being used in tandem with both photo and drawing-elicitation. In response to these initial findings a photo-map of the museum was created to prompt discussion with the final six participants. Recruitment was purposive and there was no contact with the participants prior to them arriving at the museum. The video captured by the chest-mounted Go-Pro cameras is particularly illuminating when analysed in the context of the post-visit interview data. Although the photo-elicitation and drawing-elicitation interviews do reveal some important details about the children’s experiences and perspectives, the video footage highlights the difficulties with relying on these methods in an everyday museum setting. For example parental involvement in the children’s photography is far more pervasive than might be expected, and the degree to which the camera affects the nature of the children’s visits is notable. The video also reveals how easy it is to misinterpret children when relying solely on their recollections in an interview situation. This paper finishes with a discussion of the strengths and weaknesses of using Go-Pro technology as a complementary tool in the exploration of young children’s museum experiences.
机译:本文讨论了一项小型民族志研究的见解,该研究旨在探索英格兰南部一个参与式家庭博物馆中的幼儿(三至六岁)每天的生活经历。受到柯克(Kirk,2014年)以儿童为中心的工作的启发,本文首先探讨了照片启发式访谈在访问儿童对博物馆参观视角的“快照”中的有效性。在当前的研究中,此方法还通过使用安装在胸前的GoPro摄像机进行补充,以提供第一人称视角和更全面的儿童博物馆参观视角。总共拍摄了12个孩子的探访。在其中的三个期间,孩子们还携带了对儿童友善的数码相机。由于这是一项较大研究的一部分,数据收集的目的是比较结合使用的GoPro技术与照片和绘画启发的实用性。根据这些初步发现,制作了博物馆的照片地图,以促使与最后六名参与者的讨论。招聘是有目的的,在参与者到达博物馆之前没有与他们接触。当在访问后的采访数据的背景下进行分析时,安装在胸部的Go-Pro摄像机捕获的视频特别有启发性。尽管照片启发和绘画访谈确实揭示了有关孩子的经历和观点的一些重要细节,但录像带突出了在日常博物馆环境中依靠这些方法的困难。例如,父母对孩子摄影的参与比预期的要普遍得多,而且照相机影响孩子拜访性质的程度也很明显。该视频还揭示了在面试情况下仅依靠孩子的回忆而对孩子进行误解是多么容易。本文最后讨论了使用Go-Pro技术作为探索幼儿博物馆体验的辅助工具的优缺点。

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