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Nietzsche: Bipolar Disorder and Creativity

机译:尼采:躁郁症和创造力

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This essay, the last in a series, focuses on the relationship between Nietzsche’s mental illness and his philosophical art. It is predicated upon my original diagnosis of his mental condition as bipolar affective disorder, which began in early adulthood and continued throughout his creative life. The kaleidoscopic mood shifts allowed him to see things from different perspectives and may have imbued his writings with passion rarely encountered in philosophical texts. At times hovering on the verge of psychosis, Nietzsche was able to gain access to unconscious images and the music of language, usually inhibited by the conscious mind. He reached many of his linguistic, psychological and philosophical insights by willing suspension of the rational. None of these, however, could have been communicated had he not tamed the subterranean psychic forces with his impressive discipline and hard work.
机译:这篇文章是该系列文章的最后一部分,着重于尼采的精神疾病与他的哲学艺术之间的关系。这是基于我最初对他的精神状况诊断为双相情感障碍的结果,这种情感障碍始于成年初期,一直持续到他的整个创作生涯。千变万化的情绪变化使他能够从不同的角度看待事物,并且可能使他的著作充满了哲学文本中很少遇到的激情。尼采有时会徘徊在精神病的边缘,因此能够获得无意识的图像和语言音乐,通常会受到有意识的思维的抑制。他乐于放弃理性,从而获得了许多语言,心理和哲学方面的见识。但是,如果他不以他令人印象深刻的纪律和辛勤工作来驯服地下心灵力量,那么这些消息都无法传达。

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