The digital paradigm to which these new technologies (NTIC) belong is at the origin of particular linguistic practices. Internet is an innovator in this field. Indeed, its users want their written communications to be as fast as during oral exchanges; they will choose their knowledge to write on a saving in expressive type. Also wishing to transmit feelings and emotions, they will call upon an iconography, which uses the diacritics as material serving creation of logograms. This redundancy of a diverted punctuation of its original use, but being used "to punctuate" the speech by figurines translating the emotional state of the speaker, is a characteristic of this numerical space. Through the analysis of the corpus taken on the Internet and put in comparison with the hieroglyphic system introduced by Champollion Le Jeune [5] and the graphic evolution of some ideograms, it will be shown that it is always about the same used model, in which a key always initiates a semantic field, and that this process orders a reorganization of the objects of the world through a new scriptural writing.
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机译：这些新技术（NTIC）所属的数字范例是特定语言实践的起源。互联网是该领域的创新者。实际上，它的用户希望他们的书面交流与口头交流一样快。他们将选择自己的知识来写表达形式的储蓄。他们也希望传递情感和情感，他们将要求使用肖像画，该肖像画使用变音符号作为创建标志的素材。这种原始使用的标点符号的这种冗余性，但是被用来通过塑像转换说话者的情感状态来“标点”语音，是这种数字空间的特征。通过对互联网上的语料库进行分析，并与Champollion Le Jeune [5]引入的象形文字系统进行比较，以及一些表意文字的图形演变，可以看出它总是与使用的模型大致相同，其中密钥始终会启动一个语义字段，并且此过程会通过新的圣经写作命令重新组织世界的对象。
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